Wednesday, 13 February 2019

I sense you

Here’s one for Valentine’s Day. It’s from a sequence of love poems in my second poetry collection, due out Autumn 2019 with Indigo Dreams Publishing.

I sense you

when we make breakfast in the morning blue
in aromas of bread and coffee, I taste you

when we swim in the rising sea
salt waves swell over us, I taste you

as we walk through the pollen-full meadow
showered with flavours of spring, I sense you

on far mountains where we ramble
among the tang of ancient peat, I sense you

when the dark red wine swirls around
and ageing oak rises from the glass, I taste you

when there is dessert with sweet apple
and sharp redcurrants, I savour you

when the fire burns slow late into the night
woodsmoke weaves around us, I taste you

as we mingle our limbs and fall into sleep
between the midnight sheets,  I taste you

when water silvers in the vase and
rose perfume rises in early sun, I sense you


 



Monday, 31 December 2018

Alone and together

For my first blog of 2019 let me first wish all followers and readers all the very best wishes for a happy and healthy year.

We are all aware that we live in uncertain times – for the planet and ourselves.  I also know many people who are facing personal difficulties and tragedies. May you all find some peace.

The poem below is the first one in my second poetry collection, Breakfast in Bed, which will be published later in the year by Indigo Dreams Publishing.
I was delighted when I heard in October from the lovely people at Indigo that they wanted to publish my work. They are a great publisher, and I have a number of poetry friends who are already published by them, some of them I first met on Jo Bell’s 52 writing project in 2014 (Write a poem a week for a year). Check out the Indigo Dreams shop here: https://www.indigodreams.co.uk/buy-4-get-1-more/4594495985

I am also pleased to say that several of my poetry colleagues in west Wales will be publishing collections in 2019 too. At least three others from the workshopping  group PENfro Poets (which grew out of the PENfro Book Festival nearly seven years ago) will have new collections out this year. I’ll post about them when their books arrive.

I am grateful to the fabulous website Algebra of Owls -- https://algebraofowls.com/poetry/
 --  for publishing this poem back in November. This is the first poem in my forthcoming collection:

Alone and together

A city that snares
slow rhythms
(Federico Garcia Lorca)

A river flows through
afternoon’s slow heat,
Lorca’s pace

                (together and alone
                juntos y solo)

babble at café tables
rises and drops into shadow
by the waterside

sun falls through trees,
the flicker of fresh leaves
in green spring

                (solo y juntos
                alone and together)

wine is red, time is yellow
the rhythm of the river is ours
for this hour adrift


Sunday, 18 November 2018

Memory is held by water


Getting poems ‘out there’ into poetry magazines and onto the ever-growing number of well produced websites can be hard work. It’s a competitive market for today’s poets.  Consequently I am always delighted when I hear from a journal that they have accepted a poem of mine, or even two poems, for publication. I was especially pleased this Autumn to have two poems published by the wonderful Algebra of Owls webzine. And I was double-delighted when this poem went on the win the Editor’s choice award.



Memory is held by water



They sit on the wall of the old town bridge,
                that place of endless departures,
below the high castle walls.



Usually men, mostly at night,
                they are silent, unseen.
This one is young.



His white face looks down between
                black boots as his legs dangle.
He will enter me soon, or walk away.



When he slips in I will hold him close
                but I will not interfere
as he sinks into my depths



I will feel him among my green weeds
                and in my vortices
carry him in undercurrents



with migrating salmon
                over the silt and mud of my bed
to the sea and out on the full tide,



as all the other lads before him
                over countless centuries.
I never know why they choose me.



Maybe because I am dark and very cold
                there is certainty in my currents and eddies,
no chance for a change of mind.



Bitter as brine
                I am always here,
yet I flow forever, east to west,



tidal, so they are sure
                I will carry their cargo out,
take all their weight.



This is what Algebra of Owls guest Editor Clare Shaw said about her top choice for September/October: “This was no easy task – a wonderful bunch of poems with many strong contenders …
“In the end, I chose ‘Memory is held by Water’ with its painful, chilling insights and its stunning restraint. This takes the story of one man in one place, and through the voice of the river, offers us something universal – as disturbing and heartbreaking as the subject demands. In its strangely calm and impersonal sense of compulsion, completion and comfort, it speaks for the people it depicts – with tenderness and respect. A great poem. Wow, thanks!


Algebra of Owls is a great place to read a range of top quality contemporary poetry. They aim to publish ‘engaging, accessible poetry from around the world’. Read more here:  
https://algebraofowls.com/

Friday, 21 September 2018

Memorial stones


I wrote this poem after a recent walk with a local writing group around St Dogmaels, a lovely riverside village not far from where I live. I was struck by the stones around the village, on the banks of the river, at the mill, in the graveyard, and the Abbey ruins -- all of them part of the lives of all who live, or have ever lived there. For me, these stones that we live with daily are as much a part of remembrance as the village war memorial.
All the names in the poem are recorded on that memorial for the years 1914-1918.



Memorial stones



Did they play together as boys,

diving and dipping in fantasy  battles

among headstones in the churchyard,

sniping with make-believe rifles.

Bang bang. Who died first?

Craig, Davies, Dunstan or Evans



Did they spin flat pebbles over rippling water

there by the Degwel stream

where the Teifi bends wide towards the sea.

Who scored most hits?

Gibbons, Green, Griffiths, Harper



Did they race along muddy banks,

boots sucked into silt

(who got stuck, who pulled him out?)

Isaac, James, Jenkins, John



At the Blessing Stone did they stand atop

to play the shouting game,

hear the magic echo come straight back

across brown water. Whose cry was loudest?

Jones, Ladd, Lloyd, McFadden



Did they help each other clamber over

crumbling Abbey walls

to play their throwing games,

chucking  ancient rocks to the ground.

Who hit most targets?

Morris, Owen, Niles, Phillips



Did they shoot pebbles from catapults

at rats running for the drains.

Who bagged most tails?

Pope, Protheroe, Rees, Richards



As they leant against the old millstones

in the setting sun

feeling the furrows and lands

rough against their palms,

their too-soft hands,

did they idly wonder about war,

predict possible postings.

Roberts, Thomas, Williams



Did they walk with their girls

on their last nights at home,

hide behind ruined walls,

make heartfelt  trysts,

promises of sweet futures


Wednesday, 29 August 2018

I am made of stone/I am water


The poem below is the result of an exercise rather boldly called 'coupling' in poetry workshopping circles!
I have taken a poem, which is one of my favourites written by my Rockhopper poetry performance colleague Mel Perry, and I have used it to create a new piece of work.
Mel's poem 'I am made of stone', which appears in her collection Rum Dark Nights, always makes the hairs on my neck stand to attention when I read it, especially so when I read it aloud.
When The Poetry School suggested 'coupling' as an exercise as part of this year's Write a Poem a Day for a Month project,  #NaPoWriMo, I chose 'I am Made of Stone' as my starting point.
You take a favourite piece of work -- poetry or prose -- and intertwine it with new lines of your own to make a new poem.
More info about this technique can be found in
 the links below.
Here's the result of that first experiment:


I am made of stone/I am water

A coupling after ‘I am made of stone’, by Mel Perry (from Rum Dark Nights)

I am made of stone.
                I am water.
Blue dolerite with feldspar
                aquamarine with hammered pewter
shards from Pembrokeshire hills,
                rushing from Plynlimon
indigo slate from Conwy quarries,
                streaming shingle in Cilgerran gorge
black anthracite, hand-hewn.
                coursing over granite in Cwm Gwesyn

I am made of stone.
                I am water.
Burren limestone, its grikes
                holding drops of rain
harbouring jewel plants,
                magnified in pools
letting water seep, cry
                weeping from the inner core
tears through fissures
                squeezing through fractures
that drip, drip, stalactiting
                forming bead by bead
down, catching minerals
                in moisture of air
like letters, that flavour
                fluid carvings
words on the page
                reflected on rock
colour poems in the dark.

                I am water.
I am made of stone.
                flowing, fluent
Not to be rolled, not cold
                not to be impeded
part of the Fennoscandian shield
                perpetual, unbroken
crystalline, metamorphosed.
©Mel Perry and Jackie Biggs 2018

Links…
Rum Dark Nights, by Mel Perry, is published by Three Throated Press:  http://www.iconau.com/three-throated-press
The original prompt for this piece of work came from the Poetry School’s 2018 #NaPoWriMo prompts: https://poetryschool.com/
... which referenced this helpful article: http://mccarthywoolf.com/projects/mslexia-interview/

 Photos: ©JackieBiggs2018